Eight and a Half (Otto e mezzo) / (Record no. 13439)

MARC details
000 -LEADER
fixed length control field 02184nmm a2200229 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230705144823.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211121t20212022enka ob 100 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781839024764
Qualifying information (online)
International Standard Book Number 9781839024740
Qualifying information (ePub)
Canceled/invalid ISBN 9781839024733
Qualifying information (softback)
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4372
Edition number 23
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Miller, D. A.,
Dates associated with a name 1948-
Relator term author.
9 (RLIN) 19112
245 ## - TITLE STATEMENT
Title Eight and a Half (Otto e mezzo) /
Statement of responsibility, etc. D. A. Miller.
250 ## - EDITION STATEMENT
Edition statement Second edition.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London [England] :
Name of publisher, distributor, etc. British Film Institute,
Date of publication, distribution, etc. 2022
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture [London, England] :
Name of producer, publisher, distributor, manufacturer Bloomsbury Publishing,
Date of production, publication, distribution, manufacture, or copyright notice 2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (128 pages) :
Other physical details illustrations.
520 ## - SUMMARY, ETC.
Summary, etc. "Federico Fellini's masterpiece 8 1/2 ( Otto e mezzo ) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Fassbinder, Truffaut, Scorsese, Bob Fosse and Bruce LaBruce, paid homage to the film and its themes of personal and creative ennui in their own work. Now that 8 1/2 's conceit is less shocking, D.A. Miller argues, we can see more clearly how tentative, even timid, Fellini's ground-breaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. By his own admission he doesn't even have an artistic or social statement to offer: 'I have nothing to say, but I want to say it anyway.' 8 1/2 's deepest commitment is not to this man (who is never quite 'all there') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man - and the artist - who fails his appointed social responsibilities."--
Assigning source Provided by publisher.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Fellini, Federico
9 (RLIN) 19113
856 ## - ELECTRONIC LOCATION AND ACCESS
Materials specified Abstract with links to full text
Uniform Resource Identifier <a href="https://doi.org/10.5040/9781839024764?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781839024764?locatt=label:secondary_bloomsburyCollections</a>
Electronic format type text/html
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type e-Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     S. R. Ranganathan Learning Hub S. R. Ranganathan Learning Hub Online 05/07/2023 Shankars E-Resources Pvt. Ltd., New Delhi   791.4372 EB0869 05/07/2023 05/07/2023 e-Book