MARC details
| 000 -LEADER |
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| fixed length control field |
02903nmm a2200301 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705144823.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210119s2021 enk ob 101 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781839022852 |
| Qualifying information |
(ebook) |
|
|---|
| Canceled/invalid ISBN |
9781839022845 |
| Qualifying information |
(PDF) |
|
|---|
| Canceled/invalid ISBN |
9781839022821 |
| Qualifying information |
(paperback) |
|
|---|
| Canceled/invalid ISBN |
1839022825 |
| Qualifying information |
(print) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43/0233/092 |
| Edition number |
23 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Fowler, Catherine, |
| Relator term |
author. |
| 9 (RLIN) |
19090 |
| 245 ## - TITLE STATEMENT |
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| Title |
Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles / |
| Statement of responsibility, etc. |
Catherine Fowler. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London [England] : |
| Name of publisher, distributor, etc. |
British Film Institute, |
| Date of publication, distribution, etc. |
2021. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
[London, England] : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2021 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (104 pages). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Chantal Akerman's 1975 film Jeanne Dielman portrays in excruciating detail and in real time the daily life of a single mother, as she cooks, cleans and cares for her son, and has sex with male clients in her home. Akerman, who shot the film in five weeks with an all-female crew, described Jeanne Dielman as a challenge to 'a hierarchy of images' that places a car accident or a kiss 'higher in the hierarchy than washing up ... And it's not by accident, but relates to the place of woman in the social hierarchy ... Woman's work comes out of oppression and whatever comes out of oppression is more interesting.' Yet Jeanne Dielman's importance is broader and more sustained than the originality of its subject matter and form. More than any other film before or since, it reminds the viewer that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for its protagonist as much as for ourselves. Catherine Fowler's study of the film articulates the fascination of Jeanne Dielman over and above its place as an exemplary film to watch and study. She provides a close textual analysis of performance, particularly that of Delphine Seyrig as the title character, mise-en-scn̈e, narrative structure, camerawork and editing, and draws on original footage, interviews and documents to explore the making of the film. She interrogates its unique representation of domestic space and the materiality of women's time. In doing so, she illuminates why the film is seen as a significant precursor for what came to be known as 'Slow Cinema' and why it continues to exact such significance in film history today."-- |
| Assigning source |
Provided by publisher. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Akerman, Chantal |
| General subdivision |
Criticism and interpretation. |
| 9 (RLIN) |
19091 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Widows |
| Geographic subdivision |
Belgium |
| -- |
Brussels |
| Form subdivision |
Drama. |
| 9 (RLIN) |
19092 |
|
|---|
| Topical term or geographic name entry element |
Mothers and sons |
| Geographic subdivision |
Belgium |
| -- |
Brussels |
| Form subdivision |
Drama. |
| 9 (RLIN) |
19093 |
|
|---|
| Topical term or geographic name entry element |
Film theory & criticism |
| Source of heading or term |
bicssc |
| 9 (RLIN) |
19094 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
British Film Institute, |
| Relator term |
publisher. |
| 9 (RLIN) |
19095 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Materials specified |
Abstract with links to full text |
| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781839022852?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781839022852?locatt=label:secondary_bloomsburyCollections</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
