MARC details
000 -LEADER |
fixed length control field |
02043nmm a22002291i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144822.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190919s2015 enka ob 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781838713706 |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Harris, Sue |
Titles and words associated with a name |
(Lecturer in French), |
Relator term |
author. |
9 (RLIN) |
19047 |
245 ## - TITLE STATEMENT |
Title |
An American in Paris / |
Statement of responsibility, etc. |
Sue Harris. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
British Film Institute, |
Date of publication, distribution, etc. |
2015. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (128 pages) : |
Other physical details |
illustrations. |
500 ## - GENERAL NOTE |
General note |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"An American in Paris (1951) was a landmark film in the careers of Vincente Minnelli, Gene Kelly and Leslie Caron. A joyous celebration of George Gershwin's music, French art, the beauty of dance and the fabled City of Light, the film was heralded as a rare example of entertainment 'for mass and class alike'. Choreographed by Kelly at the height of his career, it gave new stature to the Hollywood musical, and showcased as never before the artistic ambition, technical skills, creative imagination and collaborative ethos of MGM's pioneering Arthur Freed Unit. Sue Harris draws on archival material to trace the film's development from conception to screen. Offering new insights into the design process in particular, she shows how An American in Paris established the cinematic template for a city with which Hollywood would become increasingly infatuated in the decades to follow."--Bloomsbury Publishing. |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2019. |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Musical films |
General subdivision |
History and criticism. |
9 (RLIN) |
19048 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781838713706?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781838713706?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |