MARC details
000 -LEADER |
fixed length control field |
02258nmm a22002531i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144820.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190919s2005 enka ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781838713119 |
|
Canceled/invalid ISBN |
9780851709567 (paperback) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gopalan, Lalitha, |
Relator term |
author. |
9 (RLIN) |
19007 |
245 ## - TITLE STATEMENT |
Title |
Bombay / |
Statement of responsibility, etc. |
Lalitha Gopalan. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
British Film Institute, |
Date of publication, distribution, etc. |
2005. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (88 pages) : |
Other physical details |
illustrations. |
500 ## - GENERAL NOTE |
General note |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"A Landmark in recent Indian cinema, by acclaimed director Mani Ratnam. In January 1993 sectarian rioting left 2,000 Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam's audacious Tamil film Bombay (1995) used these events as a backdrop to a love story between a Hindu boy and a Muslim girl. Bombay was condemned by Muslim critics for misrepresentation and it was embroiled in censorship controversies. These served only to heighten interest and the film ran to packed houses in India and abroad. Lalitha Gopolan shows how Bombay struggles to find a narrative that can reconcile communal differences. She looks in detail at the way official censors tried to change the film under the influence of powerful figures in both the Muslim and the Hindu communities. In going on to analyse the aesthetics of Bombay, she shows how themes of social and gender difference are rendered through performance, choreography, song and cinematography. This is a fascinating account of a landmark in recent Indian cinema."--Bloomsbury Publishing. |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2019. |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Maṇiratn̲am. |
Title of a work |
Bombay. |
9 (RLIN) |
19008 |
|
Personal name |
Maṇiratn̲am |
General subdivision |
Criticism and interpretation. |
9 (RLIN) |
19009 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781838713119?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781838713119?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |