MARC details
000 -LEADER |
fixed length control field |
02452nmm a2200325 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144817.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190920s2019 enk 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781838710408 |
|
Canceled/invalid ISBN |
183871040X |
|
Canceled/invalid ISBN |
9781838718206 (pdf ebook) |
|
Canceled/invalid ISBN |
9781844573608 (paperback) |
|
Canceled/invalid ISBN |
9781844573615 (hardback) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43/01 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Wollen, Peter, |
Relator term |
author. |
9 (RLIN) |
18864 |
245 ## - TITLE STATEMENT |
Title |
Signs and meaning in the cinema / |
Statement of responsibility, etc. |
Peter Wollen ; with a foreword by D. N. Rodowick. |
250 ## - EDITION STATEMENT |
Edition statement |
Fifth Edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
Bloomsbury Publishing, |
Date of publication, distribution, etc. |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xvi, 272 pages) : |
Other physical details |
illustrations |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system. The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an exposition and defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringing post-structuralist ideas into his discussion of Godard and other contemporaries. Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema"--Bloomsbury Screen Studies. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Eisenstein, Sergei, |
Dates associated with a name |
1898-1948 |
General subdivision |
Criticism and interpretation. |
9 (RLIN) |
18865 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
Aesthetics. |
9 (RLIN) |
18866 |
|
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
History. |
9 (RLIN) |
18867 |
|
Topical term or geographic name entry element |
Auteur theory (Motion pictures) |
9 (RLIN) |
18868 |
|
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
Semiotics. |
9 (RLIN) |
18869 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Rodowick, David Norman, |
Relator term |
writer of supplementary textual content. |
9 (RLIN) |
18870 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781838710408?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781838710408?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |