MARC details
000 -LEADER |
fixed length control field |
02507nmm a22002531i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144816.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
150326s2003 nyua ob 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781628929225 |
|
Canceled/invalid ISBN |
9780826416056 |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43/0233/092 |
Edition number |
21 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Cunneen, Joseph E., |
Relator term |
author. |
9 (RLIN) |
18801 |
245 ## - TITLE STATEMENT |
Title |
Robert Bresson : |
Remainder of title |
a spiritual style in film / |
Statement of responsibility, etc. |
Joseph Cunneen. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Continuum International Pub. Group, |
Date of publication, distribution, etc. |
2003. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (199 pages) : |
Other physical details |
illustrations |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Filmography: pages [190]-195. |
|
Bibliography, etc. note |
Includes bibliographical references (pages [196]-199). |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?. Is [meaning] as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up" |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2015 |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Bresson, Robert |
General subdivision |
Criticism and interpretation. |
9 (RLIN) |
18802 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Source of heading or term |
Popular culture |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781628929225?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781628929225?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |