Stage and screen : (Record no. 13357)

MARC details
000 -LEADER
fixed length control field 02171nmm a22002774i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230705144816.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120709s2012 nyua bq 001 0 eng c
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781628928983
Canceled/invalid ISBN 9781441168696 (hardback)
Canceled/invalid ISBN 9781623563936 (paperback)
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.43/6
Edition number 23
245 ## - TITLE STATEMENT
Title Stage and screen :
Remainder of title adaptation theory from 1916 to 2000 /
Statement of responsibility, etc. edited by Bert Cardullo.
246 30 - VARYING FORM OF TITLE
Title proper/short title Adaptation theory from 1916 to 2000
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York ;
-- London :
Name of publisher, distributor, etc. Continuum,
Date of publication, distribution, etc. 2012.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (xi, 276 pages) :
Other physical details illustrations
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes filmography (pages 231-250), bibliographical references (pages 253-267), and index.
520 8# - SUMMARY, ETC.
Summary, etc. Far too often young theater and film artists, as well as educators, make the jump from film to theater without being fully aware of the ways in which the qualities of each medium affect content and artistic expression. Starting with a history of the relationship between theater and film, the collection includes essays from a variety of writers, directors, and theorists by examining the differences between working in, and creating for, drama and film. The playwright Bernard Shaw looks at the differences between the two industries, audiences, and writing processes affect the author's artistic control. Critic-theorists like Siegfried Kracauer and Susan Sontag consider the similarities and differences that arise from the intrinsic qualities of each medium, touching on structure, technique, and dialogue, as well as audience experience. Professor Cardullo's collection provides a theoretical and practical foundation for understanding the effect that film and drama have had, and continue to have, on each other's development.  
533 ## - REPRODUCTION NOTE
Type of reproduction Electronic reproduction.
Place of reproduction London :
Agency responsible for reproduction Bloomsbury Publishing,
Date of reproduction 2014.
Note about reproduction Available via World Wide Web.
-- Access limited by licensing agreement.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Film adaptations.
9 (RLIN) 18789
Topical term or geographic name entry element Stage adaptations.
9 (RLIN) 18790
Source of heading or term Theatre studies
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Cardullo, Bert,
Relator term editor.
9 (RLIN) 18791
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.5040/9781628928983?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781628928983?locatt=label:secondary_bloomsburyCollections</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type e-Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     S. R. Ranganathan Learning Hub S. R. Ranganathan Learning Hub Online 2023-07-05 Shankars E-Resources Pvt. Ltd., New Delhi   791.43/6 EB1025 2023-07-05 2023-07-05 e-Book