MARC details
000 -LEADER |
fixed length control field |
02171nmm a22002774i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144816.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
120709s2012 nyua bq 001 0 eng c |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781628928983 |
|
Canceled/invalid ISBN |
9781441168696 (hardback) |
|
Canceled/invalid ISBN |
9781623563936 (paperback) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43/6 |
Edition number |
23 |
245 ## - TITLE STATEMENT |
Title |
Stage and screen : |
Remainder of title |
adaptation theory from 1916 to 2000 / |
Statement of responsibility, etc. |
edited by Bert Cardullo. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Adaptation theory from 1916 to 2000 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York ; |
-- |
London : |
Name of publisher, distributor, etc. |
Continuum, |
Date of publication, distribution, etc. |
2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xi, 276 pages) : |
Other physical details |
illustrations |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes filmography (pages 231-250), bibliographical references (pages 253-267), and index. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Far too often young theater and film artists, as well as educators, make the jump from film to theater without being fully aware of the ways in which the qualities of each medium affect content and artistic expression. Starting with a history of the relationship between theater and film, the collection includes essays from a variety of writers, directors, and theorists by examining the differences between working in, and creating for, drama and film. The playwright Bernard Shaw looks at the differences between the two industries, audiences, and writing processes affect the author's artistic control. Critic-theorists like Siegfried Kracauer and Susan Sontag consider the similarities and differences that arise from the intrinsic qualities of each medium, touching on structure, technique, and dialogue, as well as audience experience. Professor Cardullo's collection provides a theoretical and practical foundation for understanding the effect that film and drama have had, and continue to have, on each other's development. |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2014. |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Film adaptations. |
9 (RLIN) |
18789 |
|
Topical term or geographic name entry element |
Stage adaptations. |
9 (RLIN) |
18790 |
|
Source of heading or term |
Theatre studies |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Cardullo, Bert, |
Relator term |
editor. |
9 (RLIN) |
18791 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781628928983?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781628928983?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |