MARC details
| 000 -LEADER |
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| fixed length control field |
02300nmm a2200265 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705144814.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
220105s2022 enk ob 101 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781501383076 |
| Qualifying information |
(online) |
|
|---|
| International Standard Book Number |
9781501383106 |
| Qualifying information |
(ePub) |
|
|---|
| Canceled/invalid ISBN |
9781501383083 |
| Qualifying information |
(softback) |
|
|---|
| Canceled/invalid ISBN |
9781501383113 |
| Qualifying information |
(hardback) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.436 |
| Edition number |
23 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Pomerance, Murray, |
| Relator term |
author. |
| 9 (RLIN) |
18725 |
| 245 ## - TITLE STATEMENT |
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| Title |
Color it true : |
| Remainder of title |
impressions of cinema / |
| Statement of responsibility, etc. |
Murray Pomerance. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London [England] : |
| Name of publisher, distributor, etc. |
Bloomsbury Academic, |
| Date of publication, distribution, etc. |
2022 |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
[London, England] : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2022 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (360 pages). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance's latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer's seamless in Antonioni's Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form."-- |
| Assigning source |
Provided by publisher. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Colors in motion pictures. |
| 9 (RLIN) |
18726 |
|
|---|
| Topical term or geographic name entry element |
Colorization of motion pictures. |
| 9 (RLIN) |
18727 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Abstract with links to full text |
| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501383076?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501383076?locatt=label:secondary_bloomsburyCollections</a> |
| Electronic format type |
text/html |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
