MARC details
000 -LEADER |
fixed length control field |
02384nmm a22003011i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144809.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190410s2019 enka ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501336942 |
|
Canceled/invalid ISBN |
9781501336911 (hardback) |
|
Canceled/invalid ISBN |
9781501336928 (electronic book) |
|
Canceled/invalid ISBN |
9781501336935 (PDF) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Wilkins, Kim, |
Relator term |
author. |
9 (RLIN) |
18486 |
245 ## - TITLE STATEMENT |
Title |
American eccentric cinema / |
Statement of responsibility, etc. |
Kim Wilkins. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London ; |
-- |
New York : |
Name of publisher, distributor, etc. |
Bloomsbury Academic, |
Date of publication, distribution, etc. |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (viii, 216 pages) : |
Other physical details |
illustrations |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity"--Bloomsbury Publishing. |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
New York : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2018. |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Existentialism in motion pictures. |
9 (RLIN) |
18487 |
|
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
United States. |
9 (RLIN) |
18488 |
|
Topical term or geographic name entry element |
National characteristics, American, in motion pictures. |
9 (RLIN) |
18489 |
|
Source of heading or term |
Films, cinema |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
United States |
General subdivision |
In motion pictures. |
9 (RLIN) |
18490 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501336942?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501336942?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |