MARC details
000 -LEADER |
fixed length control field |
02533nmm a22002771i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144809.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180531s2017 nyuac ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501336010 |
|
Canceled/invalid ISBN |
9781501335983 (hardback) |
|
Canceled/invalid ISBN |
9781501335990 (electronic book) |
|
Canceled/invalid ISBN |
9781501336003 (PDF) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Hayon, Kaya Davies, |
Relator term |
author. |
9 (RLIN) |
18467 |
245 ## - TITLE STATEMENT |
Title |
Sensuous cinema : |
Remainder of title |
the body in contemporary Maghrebi cinemas / |
Statement of responsibility, etc. |
Kaya Davies Hayon. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Bloomsbury Academic, |
Date of publication, distribution, etc. |
2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (vii, 184 pages) : |
Other physical details |
illustrations, portraits. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 167-173) and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Description: Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taïa 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films."--Bloomsbury Publishing. |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2018 |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
Africa, North |
General subdivision |
History and criticism. |
9 (RLIN) |
18468 |
|
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
France |
General subdivision |
History and criticism. |
9 (RLIN) |
18469 |
|
Topical term or geographic name entry element |
Sensuality. |
9 (RLIN) |
18470 |
|
Source of heading or term |
Film theory & criticism |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501336010?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501336010?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |