MARC details
| 000 -LEADER |
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| fixed length control field |
02214nmm a22002771i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705144808.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180618s2018 nyu ob 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781501327285 |
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| Canceled/invalid ISBN |
9781501327261 (PDF) |
|
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| Canceled/invalid ISBN |
9781501327278 (electronic book) |
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| Canceled/invalid ISBN |
9781501327292 (hardback) |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Brown, William, |
| Dates associated with a name |
1977- |
| Relator term |
author. |
| 9 (RLIN) |
18422 |
| 245 ## - TITLE STATEMENT |
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| Title |
Non-cinema : |
| Remainder of title |
global digital film-making and the multitude / |
| Statement of responsibility, etc. |
William Brown. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
New York, NY : |
| Name of publisher, distributor, etc. |
Bloomsbury Academic, |
| Date of publication, distribution, etc. |
2018. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (ix, 302 pages). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 271-290) and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa."--Bloomsbury Publishing. |
| 533 ## - REPRODUCTION NOTE |
|---|
| Type of reproduction |
Electronic reproduction. |
| Place of reproduction |
London : |
| Agency responsible for reproduction |
Bloomsbury Publishing, |
| Date of reproduction |
2018 |
| Note about reproduction |
Available via World Wide Web. |
| -- |
Access limited by licensing agreement. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Cult films. |
| 9 (RLIN) |
18423 |
|
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| Topical term or geographic name entry element |
Motion pictures and history. |
| 9 (RLIN) |
18424 |
|
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
History. |
| 9 (RLIN) |
18425 |
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| Source of heading or term |
Films, cinema |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501327285?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501327285?locatt=label:secondary_bloomsburyCollections</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
