MARC details
000 -LEADER |
fixed length control field |
02134nmm a22003131i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144806.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
161216s2017 nyu ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501309205 |
|
Canceled/invalid ISBN |
9781501309168 (hardback) |
|
Canceled/invalid ISBN |
9781501309175 (paperback) |
|
Canceled/invalid ISBN |
9781501309182 (electronic book) |
|
Canceled/invalid ISBN |
9781501309199 (PDF) |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
070.1/8 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Winston, Brian, |
Relator term |
author. |
9 (RLIN) |
18354 |
245 ## - TITLE STATEMENT |
Title |
The act of documenting : |
Remainder of title |
documentary film in the 21st century / |
Statement of responsibility, etc. |
Brian Winston, Gail Vanstone and Wang Chi. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Bloomsbury Academic, |
Date of publication, distribution, etc. |
2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the "class" cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between performance and performativy and between different levels of interaction, linearity and hypertextuality, engagement and impact, ethics and conditions of reception. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age |
533 ## - REPRODUCTION NOTE |
Type of reproduction |
Electronic reproduction. |
Place of reproduction |
London : |
Agency responsible for reproduction |
Bloomsbury Publishing, |
Date of reproduction |
2016 |
Note about reproduction |
Available via World Wide Web. |
-- |
Access limited by licensing agreement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Documentary films |
General subdivision |
History and criticism. |
9 (RLIN) |
18355 |
|
Topical term or geographic name entry element |
Documentary films |
General subdivision |
Production and direction. |
9 (RLIN) |
18356 |
|
Source of heading or term |
Films, cinema |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Vanstone, Gail, |
Relator term |
author. |
9 (RLIN) |
18357 |
|
Personal name |
Wang, Chi |
Titles and other words associated with a name |
(Documentary film scholar), |
Relator term |
author. |
9 (RLIN) |
18358 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781501309205?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781501309205?locatt=label:secondary_bloomsburyCollections</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |