MARC details
000 -LEADER |
fixed length control field |
02273nmm a2200265 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230705144801.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
211224s2022 enk ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781350225015 |
Qualifying information |
(online) |
|
International Standard Book Number |
9781350224995 |
Qualifying information |
(ePub) |
|
Canceled/invalid ISBN |
9781350326712 |
Qualifying information |
(softback) |
|
Canceled/invalid ISBN |
9781350224988 |
Qualifying information |
(hardback) |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
305.42 |
Edition number |
23 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
McDermott, Catherine, |
Relator term |
author. |
9 (RLIN) |
18139 |
245 ## - TITLE STATEMENT |
Title |
Feel-bad postfeminism : |
Remainder of title |
impasse, resilience and female subjectivity in popular culture / |
Statement of responsibility, etc. |
Catherine McDermott. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London [England] : |
Name of publisher, distributor, etc. |
Bloomsbury Academic, |
Date of publication, distribution, etc. |
2022. |
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
[London, England] : |
Name of producer, publisher, distributor, manufacturer |
Bloomsbury Publishing, |
Date of production, publication, distribution, manufacture, or copyright notice |
2022 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (256 pages) |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism."-- |
Assigning source |
Provided by publisher. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Feminism. |
9 (RLIN) |
18140 |
|
Topical term or geographic name entry element |
Popular culture |
9 (RLIN) |
18141 |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Materials specified |
Abstract with links to full text |
Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections</a> |
Electronic format type |
text/html |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
e-Book |