MARC details
| 000 -LEADER |
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| fixed length control field |
01982nmm a2200289 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230705144759.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
190323r20192001enk ob 101 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| Canceled/invalid LC control number |
2008027331 (print) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781350103405 |
| Qualifying information |
(online) |
|
|---|
| Canceled/invalid ISBN |
9781845206529 |
| Qualifying information |
(cloth) |
|
|---|
| Canceled/invalid ISBN |
1845206525 |
| Qualifying information |
(cloth) |
|
|---|
| Canceled/invalid ISBN |
9781845206536 |
| Qualifying information |
(paperback) |
|
|---|
| Canceled/invalid ISBN |
1845206533 |
| Qualifying information |
(paperback) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43 |
| Edition number |
22 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Gillett, Philip |
| Fuller form of name |
(Philip John) |
| Relator term |
author. |
| 9 (RLIN) |
18056 |
| 245 ## - TITLE STATEMENT |
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| Title |
Movie greats : |
| Remainder of title |
a critical study of classic cinema / |
| Statement of responsibility, etc. |
Philip Gillett. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
English ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
London [England] : |
| Name of publisher, distributor, etc. |
Bloomsbury Academic, |
| Date of publication, distribution, etc. |
c2001. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (ix, 228 pages). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (p. 163-222) and index. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Why are some films regarded as classics, worthy of entry into the canon of film history? Which sorts of films make the cut and why? Movie Greats questions how cinema is ranked and, in doing so, uncovers a history of critical conflict, with different aesthetic positions battling for dominance. The films examined range across the history of cinema: The Battleship Potemkin, The 39 Steps, Modern Times, Citizen Kane, It's a Wonderful Life, Black Narcissus, The Night of the Hunter, Lawrence of Arabia, 8 1/2, 2001: A Space Odyssey, The Godfather, Raging Bull, The Piano and Kill Bill: Vol. 1. Each chapter opens with a brief summary of the film's plot and goes on to discuss the historical context, the key individuals who made the film, and initial and subsequent popular and critical responses. Students studying the history of film, canon formation or film aesthetics will find this book relevant, provocative and absorbing."-- |
| Assigning source |
Provided by publisher. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures. |
| 9 (RLIN) |
18057 |
| 653 #0 - INDEX TERM--UNCONTROLLED |
|---|
| Uncontrolled term |
Aesthetics |
|
|---|
| Uncontrolled term |
Film criticism |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Abstract with links to full text |
| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781350103405?locatt=label:secondary_screenStudies">https://doi.org/10.5040/9781350103405?locatt=label:secondary_screenStudies</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
e-Book |
